1
00:01:09,390 --> 00:01:10,910
Thank you.

2
00:02:45,330 --> 00:02:49,490
Come on, Jill. You look like you're done
today. Really.

3
00:02:52,760 --> 00:02:54,020
Off into fun.

4
00:02:54,520 --> 00:02:56,560
Enjoyment? I'm laughing so hard.
Now stop it.

5
00:02:56,880 --> 00:02:59,700
Before you splash paint, you have to
can sign. You know that.

6
00:03:06,080 --> 00:03:07,220
I don't feel like it.

7
00:03:07,500 --> 00:03:08,500
Ask me.

8
00:03:13,610 --> 00:03:14,610
It's bad.

9
00:03:15,050 --> 00:03:17,830
Hey guys, did you notice? Toni and Laura
sat down.

10
00:03:18,430 --> 00:03:19,650
And? Leave them alone.

11
00:03:19,870 --> 00:03:23,430
They are totally crazy about each other.
Human children have to be loving

12
00:03:23,430 --> 00:03:24,430
children.

13
00:03:40,870 --> 00:03:41,870
You're so cute.

14
00:03:51,680 --> 00:03:53,080
No.

15
00:03:55,320 --> 00:03:56,320
No.

16
00:03:57,300 --> 00:03:58,300
No.

17
00:04:40,470 --> 00:04:41,870
Oh.

18
00:05:16,520 --> 00:05:17,520
What are we getting?

19
00:05:20,160 --> 00:05:21,160
Mom,

20
00:05:23,240 --> 00:05:24,340
are you a sweet mouse?

21
00:05:25,360 --> 00:05:26,360
Yes.

22
00:05:29,280 --> 00:05:30,280
Yes.

23
00:05:40,660 --> 00:05:41,660
Yes.

24
00:06:08,830 --> 00:06:11,870
And then I tried to kiss her and she
slapped me a few times.

25
00:06:32,770 --> 00:06:35,570
um um

26
00:07:08,080 --> 00:07:11,620
Open your pants, please.

27
00:07:27,660 --> 00:07:28,660
Come sit on it, sweetie.

28
00:08:10,450 --> 00:08:12,070
Oh, no.

29
00:08:32,650 --> 00:08:33,650
Mm.

30
00:09:07,400 --> 00:09:09,260
Oh yeah.

31
00:09:35,400 --> 00:09:36,400
Oh.

32
00:10:53,390 --> 00:10:54,910
Where are they going?

33
00:10:55,210 --> 00:10:59,030
They won't do it on the stairs, will
they? Oh, if they get caught... You're

34
00:10:59,030 --> 00:11:00,030
so nosy, Moira.

35
00:11:17,480 --> 00:11:18,480
So,

36
00:11:20,640 --> 00:11:22,440
ladies and gentlemen, please come into
the atelier.

37
00:11:51,020 --> 00:11:57,520
I hope you're in the right mood.

38
00:11:57,960 --> 00:12:01,420
I have a big surprise for you. But
first...

39
00:12:02,460 --> 00:12:06,500
A word to this work here. Completely
unproportionate, unbalanced style,

40
00:12:06,620 --> 00:12:10,180
fantastically put together. I'm sorry,
Miss Susi. This attempt is unfortunately

41
00:12:10,180 --> 00:12:10,819
a failure.

42
00:12:10,820 --> 00:12:12,340
But no reason to despair.

43
00:12:12,720 --> 00:12:16,600
No master has fallen from the sky yet.
That's clear to all of us, isn't it?

44
00:12:16,940 --> 00:12:20,280
But today we want to dedicate ourselves
once again to the human body.

45
00:12:21,160 --> 00:12:26,580
We took the female body through a week
and I have to say, her results were... I

46
00:12:26,580 --> 00:12:28,140
hope she doesn't show up as a model.

47
00:12:28,960 --> 00:12:30,380
And now the surprise.

48
00:12:31,070 --> 00:12:34,010
A male model that we will try today.
Please come here.

49
00:12:38,530 --> 00:12:41,810
May I introduce our today's object?
Daniel.

50
00:12:42,130 --> 00:12:43,330
I'm sure he's afraid.

51
00:12:43,750 --> 00:12:50,190
Yes, so... Then take it off, please.
Wow, it doesn't look bad.

52
00:12:52,390 --> 00:12:53,390
So, listen.

53
00:12:54,690 --> 00:12:57,930
The most important thing you need to pay
attention to today are the sizes of the

54
00:12:57,930 --> 00:12:58,930
objects.

55
00:13:24,989 --> 00:13:27,730
Oh, how do I start?

56
00:13:28,150 --> 00:13:29,150
Something like this.

57
00:13:37,780 --> 00:13:40,300
Amazing. Don't frown. That's point one.

58
00:13:40,560 --> 00:13:42,000
I want to see clear, clear lines.

59
00:13:42,780 --> 00:13:47,060
Look at them and then know exactly how
to use a curve or a straight line to

60
00:13:47,060 --> 00:13:48,039
realize the body.

61
00:13:48,040 --> 00:13:49,040
That's art.

62
00:13:49,120 --> 00:13:50,880
While striving for your own style.

63
00:13:52,140 --> 00:13:53,540
Yes, that's quite usable.

64
00:13:55,480 --> 00:13:56,660
That's not bad either.

65
00:13:57,640 --> 00:13:59,300
Let them see. Yes, yes. Not bad.

66
00:14:00,100 --> 00:14:01,100
Just like that.

67
00:14:03,560 --> 00:14:04,560
Lay down, please.

68
00:14:04,720 --> 00:14:05,720
Lie down.

69
00:14:07,880 --> 00:14:08,880
Say it.

70
00:14:10,400 --> 00:14:12,480
Mr. Teacher, I have to pee.

71
00:14:13,780 --> 00:14:14,780
Can't you wait?

72
00:14:15,160 --> 00:14:18,300
Please, I'll be right back. I'll be
right back.

73
00:14:19,520 --> 00:14:20,900
Stupid men.

74
00:14:21,220 --> 00:14:22,220
Okay, go ahead.

75
00:14:28,820 --> 00:14:29,820
So,

76
00:14:31,300 --> 00:14:33,840
pay attention to the elbow, please.

77
00:14:34,110 --> 00:14:36,490
Think of the anatomical difference
between the jaw and the spine.

78
00:14:36,770 --> 00:14:41,090
And please avoid making your fingers
look like Wiener sausages, okay? Try

79
00:14:41,090 --> 00:14:42,090
your best.

80
00:14:43,470 --> 00:14:46,510
Excuse me, may I leave?

81
00:14:47,290 --> 00:14:48,490
If you have to.

82
00:14:48,830 --> 00:14:49,830
Yes, thank you.

83
00:14:54,930 --> 00:14:56,790
Ciao, ciao. Good luck.

84
00:14:57,050 --> 00:14:59,910
Try your best. This time all your
results will be noted.

85
00:15:25,740 --> 00:15:26,740
Hey, what are you up to?

86
00:15:26,800 --> 00:15:28,980
Nothing, why not? I just think you're
pretty.

87
00:15:29,920 --> 00:15:30,920
Great hair.

88
00:15:36,480 --> 00:15:37,480
Oh, yeah?

89
00:15:37,700 --> 00:15:38,700
Yeah, honestly.

90
00:15:38,720 --> 00:15:41,160
And you know, I've been crazy about you
for a long time.

91
00:15:43,660 --> 00:15:45,820
No. Oh, please, please.

92
00:15:46,820 --> 00:15:47,820
Well, good.

93
00:15:48,360 --> 00:15:49,600
But don't tell anyone.

94
00:15:52,260 --> 00:15:54,860
Oh, I think you're cute too.

95
00:15:56,020 --> 00:15:58,560
How is she?

96
00:16:00,860 --> 00:16:02,180
Oh, Sulala.

97
00:16:02,580 --> 00:16:04,860
To be honest, you are very cute.

98
00:17:07,550 --> 00:17:08,970
Du bist sehr schön.

99
00:17:13,810 --> 00:17:14,950
Komm her zu mir.

100
00:17:15,310 --> 00:17:16,310
Komm her zu mir.

101
00:17:42,640 --> 00:17:43,760
That's what he's been hoping for so
long.

102
00:22:23,920 --> 00:22:24,920
And soon I'll put him in there.

103
00:23:42,000 --> 00:23:43,000
Oh my god.

104
00:28:58,570 --> 00:29:01,230
We have to go back. Hopefully you'll
have to pee again soon.

105
00:29:03,150 --> 00:29:06,250
Remember, always let go of your wrist.

106
00:29:06,510 --> 00:29:07,389
No pressure.

107
00:29:07,390 --> 00:29:09,510
No matter if it's a pencil or coal,
okay?

108
00:29:13,170 --> 00:29:14,770
He's such a sweet guy.

109
00:29:15,130 --> 00:29:17,110
I think I'm in love with him to death.

110
00:29:19,170 --> 00:29:21,430
She's the sweetest creature I've ever
met.

111
00:29:22,030 --> 00:29:23,190
I won't even give her to her.

112
00:29:25,930 --> 00:29:28,370
Well, wait, my darling. This will kill
you.

113
00:29:38,490 --> 00:29:40,910
I can't believe it.

114
00:29:41,230 --> 00:29:42,990
I get a slap in the middle of class.

115
00:29:43,290 --> 00:29:44,290
Such a slap.

116
00:29:44,830 --> 00:29:46,590
I'm going to miss it all afternoon
today.

117
00:30:12,590 --> 00:30:15,050
Biceps? His biceps?

118
00:30:15,370 --> 00:30:17,270
Oh, yes. He looks strong.

119
00:30:17,890 --> 00:30:22,310
Strong. And he is... He is beautiful.

120
00:30:27,180 --> 00:30:28,840
You work with too much pressure.

121
00:30:29,040 --> 00:30:30,320
Let the pen loosen.

122
00:30:30,620 --> 00:30:31,880
Yes, that's a lot better.

123
00:30:33,160 --> 00:30:34,160
And what does it look like here?

124
00:30:36,040 --> 00:30:40,100
The line guidance could be a little more
balanced, but you'll get that back here.

125
00:30:40,340 --> 00:30:42,240
See? This line, I mean.

126
00:30:42,440 --> 00:30:43,440
Yes, exactly.

127
00:30:45,140 --> 00:30:47,460
He has a flawless body.

128
00:30:48,000 --> 00:30:51,140
Almost like... Yes, almost like a Greek
god.

129
00:30:51,560 --> 00:30:52,559
Hermes, or...

130
00:30:52,560 --> 00:30:54,100
No, Bacchus.

131
00:30:54,640 --> 00:30:56,480
Bacchus and his eleven same games.

132
00:30:57,080 --> 00:30:59,360
Oh yes, I could imagine him well.

133
00:31:38,250 --> 00:31:39,250
Thank you.

134
00:48:45,550 --> 00:48:47,870
Your hand is blocked. Concentrate on
your feet now.

135
00:48:48,190 --> 00:48:49,190
Very good.

136
00:48:49,410 --> 00:48:50,410
Thank you.

137
00:48:51,050 --> 00:48:52,050
Don't scratch.

138
00:48:53,750 --> 00:48:56,470
I don't feel like it. At least not on
art.

139
00:48:58,290 --> 00:49:05,190
What should a foot be?

140
00:49:05,790 --> 00:49:06,790
That maybe.

141
00:49:06,870 --> 00:49:07,870
I laugh to death.

142
00:49:08,690 --> 00:49:10,790
I would now like something completely
different.

143
00:49:11,550 --> 00:49:13,050
Till's hard, stiff thing.

144
00:49:13,270 --> 00:49:14,270
For me alone.

145
00:49:14,330 --> 00:49:15,330
in my mouth.

146
00:52:12,400 --> 00:52:13,400
Thank you.

147
00:53:31,980 --> 00:53:32,980
Wow.

148
00:54:53,610 --> 00:54:54,610
Bye. Bye.

149
00:55:38,380 --> 00:55:39,380
Oh shit.

150
00:56:07,340 --> 00:56:08,340
Good girl.

151
00:57:10,740 --> 00:57:13,540
No. No.

152
00:57:20,780 --> 00:57:21,780
Ugh.

153
00:59:03,060 --> 00:59:04,060
Oh yeah. Yeah.

154
00:59:50,890 --> 00:59:52,470
That's so...

155
01:01:05,110 --> 01:01:06,750
Guys, let's make a toast.

156
01:02:07,299 --> 01:02:08,700
Oh yeah, that's a good idea.

157
01:02:13,650 --> 01:02:15,830
Thank you.

158
01:04:26,640 --> 01:04:27,640
Hmm.

159
01:16:17,930 --> 01:16:20,430
Sit down. Please go back to your seats.

160
01:16:20,670 --> 01:16:21,670
It goes on.

161
01:16:25,610 --> 01:16:28,070
Hurry up!

162
01:16:32,770 --> 01:16:38,970
You drew a male act for the first time.
And now you will be models for the first

163
01:16:38,970 --> 01:16:39,970
time.

164
01:16:40,960 --> 01:16:42,660
Because the painter should also get to
know this feeling.

165
01:16:43,140 --> 01:16:44,720
So who will sign up voluntarily?

166
01:16:45,080 --> 01:16:46,420
Oh, Lora, brave, brave.

167
01:16:46,780 --> 01:16:47,759
Yes, come on.

168
01:16:47,760 --> 01:16:49,920
And who do we take as Adonis?

169
01:16:51,700 --> 01:16:52,700
Toni,

170
01:16:54,820 --> 01:16:57,080
how would it be with you? Yes, come to
the podium.

171
01:16:59,420 --> 01:17:02,960
To catch the harmony of two bodies is
difficult.

172
01:17:03,880 --> 01:17:06,540
But it should be an interesting
challenge for you.

173
01:17:06,760 --> 01:17:11,240
Laura, please get out of here. You too,
Toni, of course. Maybe over there.

174
01:17:11,600 --> 01:17:12,600
Yes, exactly.

175
01:17:12,920 --> 01:17:16,400
Well, then... Come on, get out of here.

176
01:17:20,440 --> 01:17:21,440
Ah,

177
01:17:23,000 --> 01:17:24,160
she lets the caves fall.

178
01:17:43,690 --> 01:17:45,270
Laura, you kneel down to it. Here.

179
01:17:46,690 --> 01:17:48,010
And there.

180
01:17:48,570 --> 01:17:50,030
Isn't that a picture for the gods?

181
01:17:50,330 --> 01:17:51,770
Come on, fresh to work.

182
01:17:52,290 --> 01:17:53,590
Think of the harmony.

183
01:17:53,850 --> 01:17:55,830
You draw two bodies, not one.

184
01:17:57,210 --> 01:17:59,270
Think about it. Exactly as you do.

185
01:18:13,100 --> 01:18:15,880
I know exactly what Laura thinks when
she kneels in front of his tail.

186
01:18:16,660 --> 01:18:20,620
I would also like to have sex with the
big blonde now.

187
01:18:21,200 --> 01:18:22,920
I want to be very tender to him.

188
01:18:23,320 --> 01:18:24,860
And he would prefer my mushy.

189
01:19:26,830 --> 01:19:27,830
Peace.

190
01:20:05,009 --> 01:20:06,150
Hey, shut up.

191
01:20:06,610 --> 01:20:09,130
I want to see. No, that's not possible.

192
01:20:10,910 --> 01:20:13,990
I want to see.

193
01:20:16,510 --> 01:20:19,190
I want to see. I want to see. I want to
see.

194
01:20:19,950 --> 01:20:20,950
I want to see.

195
01:20:21,770 --> 01:20:24,030
I want to see. I want to see.

196
01:20:25,630 --> 01:20:26,950
I want to see.

197
01:20:53,019 --> 01:20:54,019
Look,

198
01:20:57,740 --> 01:20:59,740
Laura blows Tony in and the old man
doesn't like it.

199
01:21:05,550 --> 01:21:07,230
Oh, yeah.

200
01:21:11,570 --> 01:21:14,690
Oh, yeah.

201
01:21:15,110 --> 01:21:17,150
Oh, yeah.

202
01:21:17,690 --> 01:21:18,770
Oh, yeah. Oh,

203
01:21:21,070 --> 01:21:22,770
yeah.

204
01:21:45,230 --> 01:21:46,390
Is he blind?

205
01:23:19,080 --> 01:23:20,080
No.

206
01:24:22,490 --> 01:24:23,890
Oh.

207
01:25:32,880 --> 01:25:34,360
Two harmonic bodies.

208
01:25:35,160 --> 01:25:36,340
I have to explain that in the lines.

209
01:27:30,030 --> 01:27:32,310
If only they knew how beautiful my dream
wig was.

210
01:27:37,870 --> 01:27:39,510
My hair is all wet.

211
01:27:41,150 --> 01:27:42,270
I want some too.

212
01:28:04,740 --> 01:28:07,440
We're done for today. I hope you've
taken good care of yourselves and

213
01:28:07,440 --> 01:28:08,560
profited from this morning.

214
01:28:08,820 --> 01:28:09,818
And now out with you!

215
01:28:09,820 --> 01:28:10,820
See you tomorrow!

